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Review: 'Robot Dreams' is more profound than it has any right to be

It鈥檚 one of those strange but immutable truths of the movies that a song like Earth, Wind & Fire鈥檚 鈥淪eptember鈥 can play in roughly a thousand films before a movie about a dog and a robot comes along and blows them all out of the water.
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This image released by Neon shows a scene from the animated film "Robot Dreams." (Neon via AP)

It鈥檚 one of those strange but immutable truths of the movies that a song like Earth, Wind & Fire鈥檚 鈥淪eptember鈥 can play in roughly a thousand films before a movie about a dog and a robot comes along and blows them all out of the water.

The animated is wordless, so the songs play an outsized influence in conjuring its whimsical and gently existential tone. But Pablo Berger鈥檚 鈥淩obot Dreams,鈥 a 1980s New York-set fable about loved ones who come and go, doesn鈥檛 just use 鈥淪eptember鈥 for a scene or even two. It鈥檚 the soundtrack to the friendship between Dog and Robot (yes, those are the protagonists鈥 names in this disarmingly simple film), and its melody returns in various forms whenever they鈥檙e reminded of each other.

To a remarkable degree, 鈥淩obot Dreams鈥 has fully imbibed all the melancholy and joy of Earth, Wind & Fire鈥檚 disco classic. Just as the song asks 鈥淒o you remember?鈥 so too does 鈥淩obot Dreams,鈥 a sweetly wistful little movie that, like a good pop song, expresses something profound without wasting a word.

Remembering is also helpful when it comes to the film, itself. I first saw 鈥淩obot Dreams鈥 over a year ago at the . Its release comes months after 鈥淩obot Dreams鈥 was . But for whatever reason, the film is only arriving in North American theaters this Friday.

It鈥檚 an unconventional release pattern for an unconventional film. 鈥淩obot Dreams,鈥 adapted from Sara Varon鈥檚 2007 graphic novel, is likewise an all-ages movie in a curious way. It鈥檚 very much for kids, but it鈥檚 also so mature in its depictions of relationships that older generations may swoon hardest for it.

鈥淩obot Dreams鈥 begins in the East Village where Dog lives a rather lonely life. Before he sits down to eat a microwave dinner, he notices his solitary reflection in the TV screen. An ad, though, sparks Dog to order the Amica 2000. A few days later, a box arrives, Dog assembles its contents and soon a friendly robot is smiling back at him.

Together, they have a grand old time around a New York colorfully rendered with pointillist detail. They jump the subway turnstiles, visit Woolworths and rollerblade in Central Park (with 鈥淪eptember鈥 playing on the boombox). But after an outing to Playland (which looks much more like Coney Island), Robot鈥檚 enthusiasm gets him into some trouble. After frolicking in the water, he lies down on the beach and later finds he can鈥檛 move. This may be a movie about a Dog who rollerblades and a Robot who eats hot dogs, but the scientific reality of rust is one suspense of disbelief too far for 鈥淩obot Dreams.鈥

Despite all of Dog鈥檚 efforts, Robot is stuck, and, this being September, the beach is soon closed for the off-season. Much of 鈥淩obot Dreams鈥 passes through the seasons while Robot dreamily sleeps through the winter and Dog is forced to go on with his life, and maybe try to meet someone new.

The dreams of each can be surreal; Dog has a bowling alley visit with a snowman who bowls his own head, while Robot imagines a 鈥淲izard of Oz鈥-like fantasy. But both are consumed by fears of their friend鈥檚 abandonment while progressively finding new experiences and friends. New characters enter, with their own New Yorks (kite-flying in the park, rooftop barbeques) and their own soundtracks. 鈥淩obot Dreams鈥 movingly turns into a story about moving on while still cherishing the good times you once shared with someone 鈥 a valuable lesson to young and old, in friendship and romance.

And even this sense of memory runs deeper in 鈥淩obot Dreams鈥 than you might be prepared for. Berger, the Spanish filmmaker whose movies include the 2012 black-and-white silent "Blancanieves," has filled his movie with countless bits of a bygone past, from Atari to Tab soda. The name Amica 2000 could be a pun for the Amiga 500, the early computer and harbinger of our digital present. Even more dramatic, though, is the way the Twin Towers often loom in the background in a film so connected to the month of September. There, too, is a poignant symbol of companions, friends and family members who vanished, but whose memories still stir within us.

This is, you might be thinking, a lot for a cartoon about a dog and a robot to evoke. And yet 鈥淩obot Dreams鈥 does so, beautifully. And it will leave you curiously lifted by the spirit and lyrics of one of the most-played wedding songs of all time: 鈥淥nly blue talk and love, remember/ The true love we share today.鈥

"Robot Dreams,鈥 a Neon release, is unrated by the Motion Picture Association but intended for all audiences. Running time: 102 minutes. Three and a half stars out of four.

Jake Coyle, The Associated Press

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