Like most things, the title of Mia Hansen-L酶ve's sounds better in French.
鈥淯n Beau Matin" doesn't have that same rom-commy ring. But it's kind of nice to imagine a moviegoer, expecting a Hallmark movie, strolling instead into Hansen-L酶ve's sublimely melancholic drama about the ineffable impermanence of life.
For anyone, though, there's a wistful, warm feeling when wandering into a Hansen-L酶ve film. Hers are delicate dramas keenly tuned to the rhythm of daily life, and 鈥淥ne Fine Morning鈥� is her most radiant film yet.
Sandra (L茅a Seydoux) is a Parisian single mother with a young daughter, Linn (Camille Leban Martins), and a father, Georg (tenderly played by Pascal Greggory), whose memory is going due to Benson鈥檚 syndrome. As Sandra and her mother (Nicole Garcia), long divorced from Georg, make arrangements for him to enter a nursing home, a dormant part of Sandra's life (Linn's father died five years earlier) is rekindled by an unexpected romance with an old friend, Cl茅ment (Melvil Poupaud).
Though 鈥淥ne Fine Morning" sways between youth and old age, sensuality and incapacity, it's not a neat dichotomy. Hansen-L酶ve's film, which and which arrives in theaters Friday, is more gracefully concerned with the constancy of loss. Loved ones come and go, painfully; both the increasingly disoriented Georg and Cl茅ment, unhappily married but not separated, are there one moment and gone the next. In the film's first scene, Georg fumbles with the lock to his front door, while Sandra waits on the other side, trying to guide him.
Hansen-L酶ve, who also wrote the script, is a committed naturalist whose stories build with the steady accumulation of quotidian detail and shift with the unexpected undulations of relationships. As in the best of her films but more so, 鈥淥ne Fine Morning鈥� gathers a moving poignancy without you ever realizing it. One moment, you might feel as though the narrative focus is drifting or sliding into repetition; the next, you can hardly imagine a more cohesive and affecting encapsulation of bittersweet human truths.
Much of that is owed to the tender performance by a never-better Seydoux. For an actress capable of such glamour, it's a powerfully unadorned performance, filled with joy and sadness, often at the same time. Scenes of 鈥淥ne Fine Morning鈥� toggle between hospital wards and Sandra's apartment. Seydoux plays the head-spinning back-and-forth between love affair and elderly care with calm composure and occasional eruptions of emotion.
Words, we sense, are fading. One of the tasks of Sandra and her mother is to sort through the extensive library of her father, a former philosophy professor. The heaps of books are a kind of physical manifestation of what Georg 鈥� described before his downturn as obsessed with clarity and rigor 鈥� is losing and leaving behind. Sandra, herself a translator, grows increasingly aware that the same fate, inevitably is hers. But if to love is to lose, it's a bargain worth making 鈥� for a 鈥渂eau matin鈥� and more. In this achingly luminous drama drawn from the familiar stuff of daily life, it's a nurse who puts it most succinctly: 鈥淢ake the most of being together."
鈥淥ne Fine Morning,鈥� a Sony Pictures Classics release, is rated R by the Motion Picture Association of America for some sexuality, nudity and language. In French with subtitles. Running time: 112 minutes. Three and a half stars out of four.
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Jake Coyle, The Associated Press
