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For Nicolas Cage, making a serial killer horror movie was a healing experience

LOS ANGELES (AP) 鈥 When Nicolas Cage first read the script for 鈥淟onglegs鈥 and considered playing the titular serial killer, he knew exactly where he'd draw his inspiration from: his mother.
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Nicolas Cage arrives at the premiere of "Longlegs" at the Egyptian Theatre on Monday, July 8, 2024, in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

LOS ANGELES (AP) 鈥 When first read the script for 鈥淟onglegs鈥 and considered playing the titular serial killer, he knew exactly where he'd draw his inspiration from: his mother.

鈥淣ot that she was Satanic,鈥 Cage clarified in a recent interview, but said witnessing her struggle with mental illness throughout his life was something he needed to process. 鈥淚n my approach to try and get more personal with my film performances, I鈥檝e been trying to find a constructive place to put my memories of my mother.鈥

Cage said the connection to his mom was so strong 鈥 particularly how he envisioned the character鈥檚 body language and way of speaking 鈥 that he remembers hearing her voice early one Christmas morning while rehearsing lines to himself. 鈥淓verybody else is getting ready to open presents and whatnot, and I鈥檓 doing this very dark character and trying to infuse it with love,鈥 he recalled.

The experience of making 鈥淟onglegs,鈥 a Neon release opening in theaters Friday, was ultimately a cathartic one for the Oscar winner. 鈥淕osh, I channeled my dad and I channeled my mom for Longlegs. What does that say about my childhood?鈥 he said, laughing.

When he first met with to discuss the film, Cage was shocked to learn the director had his own mother in mind when writing the script.

It follows FBI Agent Lee Harker ( ) who, not long after being assigned to investigate a series of gruesome murders, realizes her own connection to the killer (Cage). Although Perkins confessed to being inspired by 鈥淪ilence of the Lambs鈥 and other films like it, 鈥淟onglegs鈥 is distinct from many serial killer movies in that the horrors, despite being carried out by people, are hauntingly supernatural.

Perkins takes advantage of that paranormal license and saturates the world of 鈥淟onglegs鈥 with biblical references and occultist clues for his protagonist to solve. But unlike some directors who prefer to obfuscate their process or leave open how much meaning there really is for audiences to decipher, Perkins is candid about his source material 鈥 or lack thereof.

鈥淚 made it up,鈥 the director said plainly of some of the symbolism employed and messages sent throughout the film, comparing the process of making a movie like 鈥淟onglegs鈥 to creating a crossword puzzle. 鈥淭he fun of assembling things and finding little pieces of things you like, that鈥檚 what making a movie is. It鈥檚 just puzzling stuff together.鈥

As the son of Anthony Perkins, who played Norman Bates in 鈥淧sycho,鈥 the 鈥淟onglegs鈥 director has long wrestled with his relationship to Hollywood and horror in particular.

鈥淚t鈥檚 kind of been foisted on me a little bit,鈥 he said, though he conceded he appreciates the freedom the genre permits. 鈥淵ou鈥檙e allowed to kind of do anything and to do it in a sort of Gothic or Baroque way that鈥檚 really full of flavor. It鈥檚 like making a big, beautiful sauce.鈥

Cage has done his share of horror movies too, from 鈥淢andy鈥 to the 2006 remake of 鈥淭he Wicker Man,鈥 but said this one is perhaps his scariest. As someone known for his versatility as an actor, he too said he relishes the genre鈥檚 permission to nonconformity.

鈥淚 have always maintained that horror, when done well, is genuinely surreal. It鈥檚 dream logic. It doesn鈥檛 have to rely on physics or reality. It can allow actors to express themselves in other ways besides that which is considered the arbiter of great acting, which is 1970s naturalism,鈥 he bemoaned. 鈥淭hat is good, but we鈥檝e done it again and again, ad infinitum, ad nauseum.鈥

Though they had not known each other before making this film, Cage and Perkins quickly bonded over their love of cinema and their deep family roots in it. Wanting to create the most organic first interaction possible, Perkins didn鈥檛 allow Cage and Monroe to meet before their first scene together 鈥 one of the most chilling and violent in the film.

But the actors already had a mutual respect for one another, and Cage, still covered in makeup, made a point to tell Monroe he was a fan of her work in David Robert Mitchell鈥檚 鈥淚t Follows鈥 as soon as the camera stopped rolling.

鈥淚 was just like, 鈥楪od, I wish we had this on camera.鈥 It was so funny. It was the first time that I heard his actual voice,鈥 she said of their first encounter. 鈥淚 grew up watching his films and then just in the recent years, his choices I think are so incredible. I just respect him so much.鈥

Krysta Fauria, The Associated Press

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