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Gucci's new creative director plunges into menswear with slightly shimmery, subversive classics

MILAN (AP) 鈥 Hot off Taylor Swift鈥檚 Golden Globe red-carpet triumph for Gucci in glittering green, the Italian brand鈥檚 creative director plunged into his menswear debut on the first day of Milan Fashion Week on Friday with somewhat shimmery, slightly
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Kanawut Traipipattanapong signs autographs after the men's Gucci Fall-Winter 2024-2025 collection, that was presented in Milan, Italy, Friday, Jan. 12, 2024. (AP Photo/Luca Bruno).

MILAN (AP) 鈥 Hot off red-carpet triumph for Gucci in glittering green, the Italian brand鈥檚 creative director plunged into his menswear debut on the first day of Milan Fashion Week on Friday with somewhat shimmery, slightly subversive classics.

Sabato De Sarno鈥檚 second runway collection since continued to shift and clarify Gucci codes, with several looks purposefully mirroring his September womenswear debut: a deep, blood red leather jacket over bare legs exuded passion, while a zipped navy jacket with jeans or a sheer ribbed sweater in camel spoke to the brand鈥檚 urban cool. The collection was title 鈥淎ncora,鈥 Italian for still, or again.

De Sarno tended toward low-key with the silhouette and the logo: double-breasted jackets were stripped of visible closures, trenches were long and streaming, plain pea coats returned to the brand鈥檚 utilitarian heritage. The logo was sparing: Gucci was emblazoned in subtle raised letters on leather bags, the double-G logo appeared as repeating patterns on slim suits and the Gucci stripe inside coat slits. For the masses in search of a cult item: the double-G belt abides.

Bondage touches came in trailing silk ties fastened around the neck with silver hardware and half gloves in leather. The power of pairing was best displayed in a shirtless look with straight trousers, the double-G belt drifting to the hip.

With a versatile sporty-to-tailored-to-dance floor silhouette, the collection was blinged up with kaleidoscopic crystal-covered tanks or trousers, or shimmery shaggy lurex coats that mix light and motion. Zippers are deliberately deployed to catch the light against a dark palate. Crystal sequins lit up the collars of ribbed knit-wear. Adornments are purposeful, nothing overwhelming about them.

鈥淚t is manifest, and not taboo, although it might look like it should be, it is completely free, and filled with euphoria,鈥欌 De Sarno said in notes.

In another break with the recent past, De Sarno moved the show from the modern, peripheral Gucci Hub to an industrial space in a former foundry across the city.

Front-row guests included Elliot Page, and Idris Elba with his wife Sabrina Elba.

Colleen Barry, The Associated Press

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