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Loretta Lynn's songs resonate anew amid abortion debate

NASHVILLE, Tenn. (AP) 鈥 Loretta Lynn, the Grammy-winning country music icon who died Tuesday at 90, lived through 鈥 and sang about 鈥 decades of advancements for women's social movements, achievements now endangered.
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FILE - Loretta Lynn performs at the BBC Music Showcase during South By Southwest on March 17, 2016, in Austin, Texas. Lynn, the Kentucky coal miner鈥檚 daughter who became a pillar of country music, died Tuesday at her home in Hurricane Mills, Tenn. She was 90. (Photo by Rich Fury/Invision/AP, File)

NASHVILLE, Tenn. (AP) 鈥 Loretta Lynn, the Grammy-winning country music icon who lived through 鈥 and sang about 鈥 decades of advancements for women's social movements, achievements now endangered.

A mother multiple times over by the end of her teens, she gave voice to those who had historically had little control over childbirth and their own sexuality. Some of her songs reflected the lives of many rural women and mothers, lamenting their invisible labor and the repressive and gendered roles that kept them tied to a singular identity.

For some of those working in reproductive health care today in her home state of Kentucky, Lynn鈥檚 music proves all too relevant. Lynn, who sang about birth control after Roe v. Wade became a landmark legal decision protecting died only months after the U.S. Supreme Court overturned the 1973 case, creating a massive shift in reproductive rights across the country. In November, whether to eliminate the right to abortion in the state鈥檚 constitution.

Kate Collins, 34, was not of the generation who heard or when they first played on the radio, but Lynn's voice provided a soundtrack to her childhood. In addition to growing up in a home where classic country music was part of the lexicon, Collins grew up in a family that talked about abortion and birth control, which led her to start volunteering as an escort at a clinic in Kentucky. But it wasn鈥檛 until high school that she began to put together the context of what Lynn was singing about.

鈥淪he talks about being able to wear the clothes she wants,鈥 Collins, who now volunteers as a case manager on the abortion resources hotline, said of 1975's 鈥淭he Pill.鈥 鈥淏ecause of my access to birth control, I could go out to bars with my friends and wear miniskirts. And that was not something I ever had to think twice about until the lyric finally hit me.鈥

鈥淭he Pill,鈥 written by Lorene Allen, Don McHan and T.D. Bayless, was recorded prior to the Roe v. Wade decision, but Lynn held onto the song for years before she felt fans were ready to listen.

鈥淲hen we released it, the people loved it. I mean the women loved it,鈥 she wrote in her 1976 autobiography, 鈥淎 Coal Miner鈥檚 Daughter." 鈥淏ut the men who run the radio stations were scared to death. It鈥檚 like a challenge to the men鈥檚 way of thinking.鈥

Men in country music were singing about abortion, premarital sex and divorce in the '60s and '70s with little or no blowback, but it was rare that a woman could sing about wanting to enjoy sex with her husband without the consequences of an unplanned pregnancy, as Lynn did.

鈥淚t is, in fact, not about anything other than control of women and their pleasure, or anyone who can get pregnant and their pleasure,鈥 Collins said.

Lynn was frank about her experiences giving birth so young, being mentally unprepared and not physically ready. She wrote that she couldn鈥檛 afford to stay overnight after the birth of her second child, so she went back home to wash diapers and draw water from the well 24 hours after delivery. She experienced miscarriages, nearly dying because she had no money to go to the doctor. And still she kept on getting pregnant, giving birth to six children.

She wrote that she couldn鈥檛 even sign her own consent form to have a caesarean section because she was still a minor and 鈥 known as 鈥淒olittle or 鈥滿ooney" 鈥 was out on a logging job and unreachable.

鈥淚 love my kids but I wish they had the pill when I first married,鈥 she wrote. 鈥淚 didn鈥檛 get to enjoy the first four kids; I had 鈥檈m so fast. I was too busy trying to feed 鈥檈m and put clothes on 鈥檈m.鈥

She said birth control was as a way for women to protect themselves: 鈥淭he feelin鈥 good comes easy now/Since I鈥檝e got the pill/It鈥檚 gettin鈥 dark it鈥檚 roostin鈥 time/Tonight鈥檚 too good to be real/Oh, but daddy don鈥檛 you worry none/鈥機ause mama鈥檚 got the pill,鈥 she sang.

And she did not mince words about her feelings about abortion.

鈥淭hat鈥檚 also why I won鈥檛 ever say anything against the abortion laws they made easier a few years ago,鈥 she wrote in the 1976 memoir.

鈥淧ersonally, I think you should prevent unwanted pregnancy rather than get an abortion. I don鈥檛 think I could have an abortion. It would be wrong for me," she added. "But I鈥檓 thinking of all the poor girls who get pregnant when they don鈥檛 want to be, and how they should have a choice instead of leaving it up to some politician or doctor who don鈥檛 have to raise the baby. I believe they should be able to have an abortion.鈥

As Collins sees it, Lynn was explaining 鈥 in her own way 鈥 the idea of bodily autonomy. Collins also sees a connection between the rollback of abortion rights to the attacks on gender-affirming care for transgender people.

More than 45 years after Lynn sang about the pill, and in many other states, clinics are barred from providing abortions. While self-managed abortions using prescription medication are safe and very effective, Collins worries about desperation sinking in for those seeking help and the collateral damage of people with dangerous pregnancies or miscarriages.

鈥淚t is really easy to feel like you鈥檙e flipping the discography back and now we鈥檙e going to go from 鈥楾he Pill鈥 to 鈥極ne鈥檚 on the Way,鈥欌 she said.

___

Follow Kristin M. Hall at https://twitter.com/kmhall

Kristin M. Hall, The Associated Press

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