鈥淎dvika and the Hollywood Wives鈥� by Kirthana Ramisetti (Grand Central)
Evening. Interior. We open on an Oscars afterparty, where Advika Srinivasan is making drinks for half of Hollywood while barely holding on to a measured, service industry demeanor despite the belligerence and entitlement of the tipsy, trophy-toting guests.
But the evening takes a wild turn when a handsome producer takes an interest in Advika, marking a complete shift in the 26-year-old鈥檚 life as she falls hard for the Oscar-winning 鈥� and much older 鈥� Julian Zelding. And, let鈥檚 face it, it doesn鈥檛 hurt that he has extensive Hollywood connections that might help Advika break into the industry to become a renowned Indian American screenwriter. Almost before she knows it, Advika is married to Julian.
When Julian's first ex-wife dies shortly after, her will promises Advika $1 million if she divorces the man. Kirthana Ramisetti鈥檚 second novel, 鈥淎dvika and the Hollywood Wives,鈥� follows Advika as she sleuths to uncover everything she can about Julian鈥檚 three ex-wives.
Given the abundance of forewarnings 鈥� like Advika and Julian's 41-year age difference and their gaping power imbalance 鈥� it鈥檚 kind of shocking it takes this mysterious proposition from a dead actress to kick the newlywed's curiosity into gear. But Ramisetti鈥檚 writing is persuasive and, for a while, the red flags are dismissible. The benefits of Advika鈥檚 new fling far outweigh the risks, and it鈥檚 easy to empathize with her staying when all the signs (and friends and family and the internet) point to leaving. Signs like Julian's proposal with a "coffin-shaped diamond.鈥� Never mind the reference and the voice of Advika's dead twin telling her to run.
What鈥檚 that? Oh, right. Advika鈥檚 twin, Anu, died suddenly in a tragic accident two years ago. Death hangs over the text like a comfy T-shirt, loath to be shed from the first chapter all the way to the novel's conclusion.
But it鈥檚 not all doom and gloom. While Advika often falls into the patriarchal trap of doing things and saying yes because she鈥檚 expected to, she does sometimes give a clear, resolved 鈥渘o,鈥� yanking back her agency. Cue audience applause.
With its smart, beautiful cover design, 鈥淎dvika and the Hollywood Wives鈥� is a page-turner packed with mystery, drama and romance. In a world filled with books by and for bookworms, Ramisetti has penned one for film fanatics 鈥� with a particular affinity for rom-com. Each chapter is named for a romantic comedy, creating an impressive collection spanning around 100 years. The novel plays with the medium, dipping into screenplays, text conversations and TV show excerpts, its stream of Hollywood references consistent throughout.
For better or worse, Ramisetti鈥檚 ending is also very Hollywood movie-like: The final chapters tie up an inordinate number of loose ends that honestly didn鈥檛 need tying, yet act like a key element was addressed when it wasn鈥檛.
But hey, that鈥檚 rom-com for you.
Donna Edwards, The Associated Press
